Somewhat flippantly, this has made me wonder whether we can indeed diagnose artists through their artistic creations. I doubt, for example, whether a Metal person could see nature in the prime colours Hockney does, preferring instead, I would think, subtler autumnal shadings.
Tuesday, February 28, 2012
David Hockney: a lovely example of the Fire element
I have just watched a warm interview with David Hockney, the painter, on BBC television, and smiled throughout. I wonder whether it is only a Fire person who could paint such delightfully joyous paintings, with their ridiculous-seeming purple trunks and bright red branches. Somehow he even manages to make winter a joyous season.
Somewhat flippantly, this has made me wonder whether we can indeed diagnose artists through their artistic creations. I doubt, for example, whether a Metal person could see nature in the prime colours Hockney does, preferring instead, I would think, subtler autumnal shadings.
Somewhat flippantly, this has made me wonder whether we can indeed diagnose artists through their artistic creations. I doubt, for example, whether a Metal person could see nature in the prime colours Hockney does, preferring instead, I would think, subtler autumnal shadings.
Monday, February 27, 2012
A wise saying to make us think
I read this today in the Guardian newspaper:
“The radical Brazilian educator Paulo Freire once asked, “What can we do today so that tomorrow we can do what we are unable to do today?”
This is such an acute question, and really made me think. Surely the purpose of each day should be to do something that makes tomorrow different and better.
“The radical Brazilian educator Paulo Freire once asked, “What can we do today so that tomorrow we can do what we are unable to do today?”
This is such an acute question, and really made me think. Surely the purpose of each day should be to do something that makes tomorrow different and better.
Friday, February 24, 2012
Using our two hands
I have recently been thinking about the question of why some branches of acupuncture have taught their acupuncturists to use two hands to needle and to take pulses, and why others prefer just one. In five element acupuncture, or at least certainly how I was taught all those years back at JR Worsley’s college in Leamington , we use both hands in both cases. Thinking about why this should be so, I decided to observe myself closely during my own practice to see how I felt about what I now do so automatically, and why I find great satisfaction in using both hands.
It isn’t just because this is the way I was taught, although of course the comfort of an old habit is part of this. The main reason, I think, is because it feels good to me to enclose the needle in both hands as I guide it to the points. In doing this, I also maintain a comfortable contact with my patient’s body. In taking pulses, too, both of my hands take my patient’s hand and hold it against my body. I am using both hands to convey as sensitive and warm a touch as I can.
Pulse-taking and needling done in this way encompass something much more than just making physical contact to obtain some diagnostic information. It is possible to approach the skin with a needle without any of our fingers actually making contact with our patient’s body, and pulses can be taken in a purely physical way, as we know from our visits to a doctor’s surgery. Here there is no intention to convey anything through touch itself, which is so different from the importance five element acupuncture places on conveying warmth and comfort through our hands. As I observe the one-handed way of taking pulses or needling it always feels to me as if practitioners are holding the other hand well away from their patient as though to distance themselves from what they are doing.
Our hands can and should be able to convey protection, love or respect, still anger and calm fear, the five dominant emotions our treatments are trying to restore to balance. And they should continue to do this whenever we touch our patient’s body, whether to take pulses or to needle or simply to make warm contact.
So each time I needle or take a pulse I am offering something which, though apparently purely physical in nature, becomes something much deeper if coming from my heart. Anybody hoping to make closer contact with the elements in their patients, and at the moment practising one-handed acupuncture, may consider taking their courage literally in both hands, and decide to learn to use both as a further expression of their care for their patients.
At a slightly different level, I shudder internally as I watch people needling a II-III (SI-Bl) block or a X-XI (Co-St) block on points around the eyes without tethering the patient’s head with both hands, and making sure exactly where the eyeball is. What if the patient jolts their head, I think – and it can happen! And the reason I have heard practitioners give for not needling these points is precisely this fear. Using both hands reassures both patients and practitioners.
We are given two hands with which to embrace people, to cook with, to use a computer with, to drive a car with, why then do we cut ourselves so unnecessarily in half when we needle and take pulses?
It isn’t just because this is the way I was taught, although of course the comfort of an old habit is part of this. The main reason, I think, is because it feels good to me to enclose the needle in both hands as I guide it to the points. In doing this, I also maintain a comfortable contact with my patient’s body. In taking pulses, too, both of my hands take my patient’s hand and hold it against my body. I am using both hands to convey as sensitive and warm a touch as I can.
Pulse-taking and needling done in this way encompass something much more than just making physical contact to obtain some diagnostic information. It is possible to approach the skin with a needle without any of our fingers actually making contact with our patient’s body, and pulses can be taken in a purely physical way, as we know from our visits to a doctor’s surgery. Here there is no intention to convey anything through touch itself, which is so different from the importance five element acupuncture places on conveying warmth and comfort through our hands. As I observe the one-handed way of taking pulses or needling it always feels to me as if practitioners are holding the other hand well away from their patient as though to distance themselves from what they are doing.
Our hands can and should be able to convey protection, love or respect, still anger and calm fear, the five dominant emotions our treatments are trying to restore to balance. And they should continue to do this whenever we touch our patient’s body, whether to take pulses or to needle or simply to make warm contact.
So each time I needle or take a pulse I am offering something which, though apparently purely physical in nature, becomes something much deeper if coming from my heart. Anybody hoping to make closer contact with the elements in their patients, and at the moment practising one-handed acupuncture, may consider taking their courage literally in both hands, and decide to learn to use both as a further expression of their care for their patients.
At a slightly different level, I shudder internally as I watch people needling a II-III (SI-Bl) block or a X-XI (Co-St) block on points around the eyes without tethering the patient’s head with both hands, and making sure exactly where the eyeball is. What if the patient jolts their head, I think – and it can happen! And the reason I have heard practitioners give for not needling these points is precisely this fear. Using both hands reassures both patients and practitioners.
We are given two hands with which to embrace people, to cook with, to use a computer with, to drive a car with, why then do we cut ourselves so unnecessarily in half when we needle and take pulses?
Saturday, February 18, 2012
Don’t let blocks block your mind
In a recent blog (8 January) I wrote:
“Don’t spend too long trying to diagnose the major blocks (possession, husband/wife). They are much more difficult to diagnose than you may think. It doesn’t matter if you miss them to start with. They become more and more obvious the longer they remain untreated. An expert practitioner may see them straightaway; a less experienced practitioner will inevitably take longer to recognise them. There is a risk that a newly qualified practitioner will over-diagnose blocks because of the excitement of doing them!”
Clearing entry/exit blocks and other blocks of all kinds forms an essential and highly effective part of five element practice. Detecting them is much more difficult than people think it is. There are two main reasons. Firstly, too many people think that it is only through the pulses that most blocks can be detected, and, secondly, and far more riskily, people assume that their pulse readings are accurate. The art of pulse diagnosis is so refined that even now, after nearly 30 years of taking pulses, I never rely only on my pulse readings to tell me if a block is there. It is always worth reminding ourselves that the 12 pulses our fingers are trying to interpret are an expression of the unique complexity, body and soul, of another human being. To interpret what they are telling us is therefore such a delicate, refined art, developed, with much humility, over many years of practice, that we should always add to what we think we are feeling other possible indicators of blocks to support our diagnosis.
Such indicators will consist of some physical or emotional evidence of blocked energy. For example, I may observe that a patient rubs their eyes or ears, or has some white mucus at the corner of their eyes, and, even before taking their pulses, I may already be thinking, “Aha! II-III (SI-Bl) block!”. Or they may complain of a bloated stomach or of sinusitis, and I think, “Aha! X-XI (Co-St) block!”. I may notice that the patient seems unexpectedly irritable today, and wonder whether the Wood element is blocked (VII-VIII (GB-Li) block or VIII – IX (Li-Lu) block). I may be surprised at a patient’s colour, and see that it is whiter or redder than usual, and so on. All these are warning signs of some disturbance in the officials which I will add to my pulse diagnosis.
Finally, we were always taught that a Husband-Wife imbalance was life-threatening, because it shows stress on the Heart. If we do not diagnose this correctly to start with, do not worry, all you practitioners out there. No patient of mine has actually died because I failed to detect a H/W immediately. Obviously we need to clear it as soon as possible to relieve the pressure upon the Heart, but again I have never known a H/W block to be there without the patient showing quite obvious signs of deep distress to guide me to it.
“Don’t spend too long trying to diagnose the major blocks (possession, husband/wife). They are much more difficult to diagnose than you may think. It doesn’t matter if you miss them to start with. They become more and more obvious the longer they remain untreated. An expert practitioner may see them straightaway; a less experienced practitioner will inevitably take longer to recognise them. There is a risk that a newly qualified practitioner will over-diagnose blocks because of the excitement of doing them!”
Clearing entry/exit blocks and other blocks of all kinds forms an essential and highly effective part of five element practice. Detecting them is much more difficult than people think it is. There are two main reasons. Firstly, too many people think that it is only through the pulses that most blocks can be detected, and, secondly, and far more riskily, people assume that their pulse readings are accurate. The art of pulse diagnosis is so refined that even now, after nearly 30 years of taking pulses, I never rely only on my pulse readings to tell me if a block is there. It is always worth reminding ourselves that the 12 pulses our fingers are trying to interpret are an expression of the unique complexity, body and soul, of another human being. To interpret what they are telling us is therefore such a delicate, refined art, developed, with much humility, over many years of practice, that we should always add to what we think we are feeling other possible indicators of blocks to support our diagnosis.
Such indicators will consist of some physical or emotional evidence of blocked energy. For example, I may observe that a patient rubs their eyes or ears, or has some white mucus at the corner of their eyes, and, even before taking their pulses, I may already be thinking, “Aha! II-III (SI-Bl) block!”. Or they may complain of a bloated stomach or of sinusitis, and I think, “Aha! X-XI (Co-St) block!”. I may notice that the patient seems unexpectedly irritable today, and wonder whether the Wood element is blocked (VII-VIII (GB-Li) block or VIII – IX (Li-Lu) block). I may be surprised at a patient’s colour, and see that it is whiter or redder than usual, and so on. All these are warning signs of some disturbance in the officials which I will add to my pulse diagnosis.
Finally, we were always taught that a Husband-Wife imbalance was life-threatening, because it shows stress on the Heart. If we do not diagnose this correctly to start with, do not worry, all you practitioners out there. No patient of mine has actually died because I failed to detect a H/W immediately. Obviously we need to clear it as soon as possible to relieve the pressure upon the Heart, but again I have never known a H/W block to be there without the patient showing quite obvious signs of deep distress to guide me to it.
Tuesday, February 14, 2012
Some things that irritate me
I’m just back from a teaching trip to Europe, and as I passed through Gatwick Airport I was irritated once again by the dreadful creep of the word “Your” in front of every advertisement for a company. Apparently Gatwick is now “my” airport. The blame for this must be laid at the door of Marks and Spencers, who some years back, when things were going badly for them, suddenly had the bright idea of designing a logo which said on all the packaging “Your M & S”. At the time I thought this was a clever PR trick, seducing us all with the implied intimacy of a long personal association with M & S. But it has now become so ubiquitous that it has become a cliché, and should be dropped.
The other cliché I have grown to hate is the use of the gerund, that part of speech I can still remember from parsing English and Latin sentences at school, the dreaded “-ing” word. It appears everywhere now in all the meaningless slogans called “mission statements” which even the acupuncture world was not immune to. My school was asked to provide one as part of its accreditation programme and I came up with the words, blissfully free of the gerund, “An ancient form of healing for a modern world”, which I’m still proud of, and which still represents, in a kernel, the truth of what I do.
Every company apparently now feels they have to attach to every advertising hoarding some banal statement such as, “building a betterBritain ”, “working for the community”, and so on and so on. They are all utterly meaningless, and yet the practice seems to be growing by the day, and should also be dropped.
The worst example I have so far come across is one I glimpsed on the side of a van, obviously that of some kind of gardening company involved in smartening up people’s window-boxes. It said, “Fusing people, plants and flowers”. Instead of window-boxes, the image that came into my mind was that of a beautiful Botticelli painting of some young woman, in a flowing gown, her hair entwined with roses, and enfolded by flowers, not, I imagine what the gardening company wanted me to think of. At least this beautiful image took my mind of the banality of the words which had prompted it.
I’m waiting for the dreaded day when I will see, blazoned above a hospital entrance, my two pet hates combined together, in the words “Your hospital, caring for a healthier world”.
The other cliché I have grown to hate is the use of the gerund, that part of speech I can still remember from parsing English and Latin sentences at school, the dreaded “-ing” word. It appears everywhere now in all the meaningless slogans called “mission statements” which even the acupuncture world was not immune to. My school was asked to provide one as part of its accreditation programme and I came up with the words, blissfully free of the gerund, “An ancient form of healing for a modern world”, which I’m still proud of, and which still represents, in a kernel, the truth of what I do.
Every company apparently now feels they have to attach to every advertising hoarding some banal statement such as, “building a better
The worst example I have so far come across is one I glimpsed on the side of a van, obviously that of some kind of gardening company involved in smartening up people’s window-boxes. It said, “Fusing people, plants and flowers”. Instead of window-boxes, the image that came into my mind was that of a beautiful Botticelli painting of some young woman, in a flowing gown, her hair entwined with roses, and enfolded by flowers, not, I imagine what the gardening company wanted me to think of. At least this beautiful image took my mind of the banality of the words which had prompted it.
I’m waiting for the dreaded day when I will see, blazoned above a hospital entrance, my two pet hates combined together, in the words “Your hospital, caring for a healthier world”.
Monday, February 6, 2012
Looking for different elements in people on TV or radio
Because of all the problems this country is facing, I have been listening to a lot of radio and watching a lot of TV recently. To lighten my mood amongst all the gloom I have been amusing myself with trying to work out whether there is any correlation between a particular element and the kinds of work those I am listening to or watching do.
Foremost amongst the people I have looked at are journalists who report the news. You would imagine that a certain kind of journalist who becomes a newscaster is there to present the human face of the news, and would have some of the qualities of the two elements which like to communicate warmly, Fire and Earth. And I think most of them are. Things get a little bit more complicated when I looked at more investigative journalists, those that are required, not so much to relate to us as to dig down and ferret out the news. And here, as I would expect, it is Water above all, with Metal following behind, which dominate. With Wood it appears to be those journalists often more directly involved in action.
I’m afraid that the list is of people perhaps familiar only to a British audience, particularly to those tuned to the BBC, but all can be viewed on U-tube or video extracts, if you are interested enough to track them down. I have also added names of other famous people, such as sports people and politicians, to plump out the list a little.
So here goes with my list:
Wood: Kate Adie, a former war correspondent, Caroline Wyatt (a current BBC defence correspondent), Peter Snow, Michael Gove
Fire: Evan Davies, Andrew Marr, Bruce Forsyth, Chris Evans
Earth: David Dimbleby, Fiona Bruce, David Attenborough, Jon Snow, David Cameron
Metal: Frank Gardner (a BBC defence correspondent). There must be more, but I haven’t found anybody to add to the list yet.
Water: Robert Peston, John Humphrys, Jeremy Paxman, Gary Lineker, Arsène Wenger, Alex Ferguson, George Osborne, Ed Milliband
Foremost amongst the people I have looked at are journalists who report the news. You would imagine that a certain kind of journalist who becomes a newscaster is there to present the human face of the news, and would have some of the qualities of the two elements which like to communicate warmly, Fire and Earth. And I think most of them are. Things get a little bit more complicated when I looked at more investigative journalists, those that are required, not so much to relate to us as to dig down and ferret out the news. And here, as I would expect, it is Water above all, with Metal following behind, which dominate. With Wood it appears to be those journalists often more directly involved in action.
I’m afraid that the list is of people perhaps familiar only to a British audience, particularly to those tuned to the BBC, but all can be viewed on U-tube or video extracts, if you are interested enough to track them down. I have also added names of other famous people, such as sports people and politicians, to plump out the list a little.
So here goes with my list:
Wood: Kate Adie, a former war correspondent, Caroline Wyatt (a current BBC defence correspondent), Peter Snow, Michael Gove
Fire: Evan Davies, Andrew Marr, Bruce Forsyth, Chris Evans
Earth: David Dimbleby, Fiona Bruce, David Attenborough, Jon Snow, David Cameron
Metal: Frank Gardner (a BBC defence correspondent). There must be more, but I haven’t found anybody to add to the list yet.
Water: Robert Peston, John Humphrys, Jeremy Paxman, Gary Lineker, Arsène Wenger, Alex Ferguson, George Osborne, Ed Milliband
I find it interesting, and appropriate, that the Water element dominates the list, evidence of its ambition and desire to reach the top and stay there. Many of the heads of financial institutions who appear on TV regularly to defend the banks appear to be Water, too.
Sunday, January 29, 2012
My mantra of the moment
The secret to understanding another person’s guardian element lies hidden deep within ourselves. If we can interpret correctly how another person makes us feel, then we are on the way to understanding the dominant element which guides their life.
Friday, January 27, 2012
Filming a Traditional Diagnosis (TD)
I decided that it was important for my Chinese students to observe me carrying out a TD at the start of a new patient’s treatment. I have always said – and I repeat here again for emphasis – that a diagnosis only forms the first loop in a never-ending chain which unwinds a little bit more each time we see a patient. One example of this is something which happened with a very longstanding patient of mine last week. He told me something about himself that gave me a totally different insight into who he was, jolting me out of the kind of complacency an association of more than 20 years can lull us into.
This new patient of mine is a young man who was very happy to consent to being filmed, and enjoyed the thought that the video was to be played to an audience of Chinese acupuncturists inChina . On looking at it after the TD was completed, I thought that I had, overall, achieved what I had set out to do, which was to demonstrate the important components of a TD. I felt I had already started to establish a close relationship with this patient, had heard about the most significant aspects of his life in some depth, learnt the reasons why he felt he needed help from me, and started to piece together the different areas of his life to create some kind of a pattern explaining why he was as he is now.
I realised how much the years of my practice and the hundreds of patients I had seen in that time had contributed to honing my diagnostic skills by helping me focus on what was significant rather than, as students tend to do, getting bogged down in a lot of detail which proves later to be of little significance. This is where what I call a feel for the odd comes in, the sudden awareness of something the patient is saying or doing which jars. I am better at recognizing the hidden signals patients send out, pointing to often submerged areas of their lives which we need to explore because of their importance. This means that I am able to home in more quickly on something which needs following up, as I noticed I did with this patient, persisting in returning to it again and again until I found an explanation. I noted, too, those places where I had left some loose ends as something I needed to discuss with the patient next time.
The thing that I was constantly being told inChina was people’s surprise at how much what they called “compassion” I showed the patients I treated there. This was merely a reflection of the importance we attach to developing a close relationship with our patients. This certainly always involves both compassion, and, just as importantly, and an essential ingredient of compassion, a sincere interest in every area of our patients’ lives.
I will be interested to see what my Chinese students make of this video.
This new patient of mine is a young man who was very happy to consent to being filmed, and enjoyed the thought that the video was to be played to an audience of Chinese acupuncturists in
I realised how much the years of my practice and the hundreds of patients I had seen in that time had contributed to honing my diagnostic skills by helping me focus on what was significant rather than, as students tend to do, getting bogged down in a lot of detail which proves later to be of little significance. This is where what I call a feel for the odd comes in, the sudden awareness of something the patient is saying or doing which jars. I am better at recognizing the hidden signals patients send out, pointing to often submerged areas of their lives which we need to explore because of their importance. This means that I am able to home in more quickly on something which needs following up, as I noticed I did with this patient, persisting in returning to it again and again until I found an explanation. I noted, too, those places where I had left some loose ends as something I needed to discuss with the patient next time.
The thing that I was constantly being told in
I will be interested to see what my Chinese students make of this video.
Thursday, January 12, 2012
"Look up at the stars, not down at your feet"
I love this quote from a speech by Stephen Hawking. I think we all spend too long looking down at our feet, whilst the stars and universe beyond are beckoning to us to look up.
Sunday, January 8, 2012
A few simple tips to make a five element acupuncturist's life easier
Don’t hurry! Don’t worry!
- The first rule is to have compassion for your patient. Compassion means to “feel with”. The more you can feel what your patient is feeling, and therefore can understand them, the more quickly you will be able to discover which element is directing their life. Unless we allow our own hearts to resonate with our patient’s feelings, we will never understand which of the five elements guides their lives.
- Do not be in a hurry to diagnose the right element! The elements will wait for you to find them, and show their faces more and more clearly with time. And all elements will enjoy the kind of focused attention they receive from simple command-point level treatments.
- If you are not in a hurry, you can relax and learn to get to know your patient better. All of this will give you time to observe whether there has been any change from treatment, and show you whether or not you should continue treating that particular element.
- Don’t think that your patient is necessarily expecting a quick fix. Patients appreciate the care and deep concern their practitioner shows them, and return again and again for that. This is usually unexpected and rare, compared with the impersonality of doctors’ surgeries and hospital waiting rooms. Patients are usually only too happy to give the practitioner all the time they need.
- The most important aspect of any treatment is not the amount of time spent on the actual physical procedures, but the time it gives you to understand your patient, observe them and help them get used to you. Patients won’t be counting up how many points you needle, but they will be assessing how interested you are in them and how concerned you are about them.
- Think of each treatment as asking a question of the elements. The practitioner’s task is to try to interpret the answers the elements give.
- Do at least three treatments on any element you choose. If you are treating once a week, then this gives you at least 3 weeks in which to observe an element’s responses.
- Don’t confuse the elements by changing from one element to another after only a short time or in the same treatment, if you are not sure which element you should be treating.
- Don’t judge any change in your patient simply by using the criteria of changes to physical complaints. Get used to assessing change in the patient as a whole, particularly in the patient’s spirit and emotional balance. It is by getting better at noticing what can be even very small changes in a patient’s behaviour or physical appearance that we begin to see whether our treatment is directed at the right element.
- If in doubt, simplify, and do the least number of points possible. Don’t judge the success of treatment by the number of points you needle. If you aren’t sure where you are going with your treatment, don’t add to your confusion by haphazardly piling point upon point. Try to clear your mind by just doing one pair of command points, preferably the source points. This helps you focus your attention directly and deeply upon an element. Then let the elements answer you.
- Don’t spend too long trying to diagnose the major blocks (possession, husband/wife). They are much more difficult to diagnose than you may think. It doesn’t matter if you miss them to start with. They become more and more obvious the longer they remain untreated. An expert practitioner may see them straightaway; a less experienced practitioner will inevitably take longer to recognise them. There is a risk that a newly qualified practitioner will over-diagnose blocks because of the excitement of doing them!
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